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造物的奇迹

状态:HD中字
年代:1925

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《造物的奇迹》剧情简介

Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
“母后,楚大哥曾经说过,这个瓶子您打开的时候,一定要以元气将内中物品封锁住勿使点滴遗漏……”妖宁宁吞吞吐吐,显然对某人的殷殷叮咛也多有不解。

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《造物的奇迹》热门评论

  • Avatar
    SunDance发表于: 74小时前
    Jamie Foxx演得太神了,面对危机时情绪的过渡和肢体表现都超级自然。阿汤哥贡献了自己的最佳打戏,不过最后跪得有点憋屈,一句点睛的I do this for a living让原本cheap到不行的本子都升华了,不得不服啊。感觉这两年都没再见到迈克尔曼的电影了是怎么回事- -
  • Avatar
    ?发表于: 200小时前
    谷阿莫6分版。哎哟,造物的奇迹神马电影在线观看想拿这部片子说教哦。谁是外星人在现实社会看来还真不好区分,谁又能证明人类不是从外星来的……
  • Avatar
    翟墨子发表于: 73小时前
    那个年代的香港编剧简直是怎么扯淡怎么来 再不靠谱的故事都能拍成电影 负责卡司工作的领导们肯定也是脑子进了屎了 刘德华演丁力还算罢了 张国荣演许文强也忍了 冯程程竟然让宁静来演 日《造物的奇迹BD高清影院在线观看》之前的刘德华 演技实在不敢恭维
  • Avatar
    Hey Johnny发表于: 190小时前
    其实剧情顶天三星,造物的奇迹高清完整版在线播放但我要给女主疯狂一星!!!
  • Avatar
    乐发表于: 75小时前
    天马行空的迷幻图象,哀痛不失轻盈的配乐,印象最深的是戴格斯人冥想时身体交融、变换成迷雾和树叶的形状,被打断后温和地解释,对不起,今天的想象力有点丰富;泰尔吹着口哨,沿路的蓝水晶应声碎裂;以及逃亡的人类艰难拖动巨大的耳机,身后的泥土拖出两条长长的印记,将盗火的古老隐喻改写成用耳机犁地,既是枷锁也是自我解放的手段。故事设定呈现了完整的后殖民隐喻:冷静地戴着手套,操纵清洁的器械,成片地消杀地上漆黑密布、形体模糊的人类。有些细节能看出对纳粹/殖民主义的引用和反讽,阿伦特笔下“多余”的人,鲍曼笔下园丁/杂草的现代性。可以当人类学教材看的(对不起)